Yeah, but the 'ordinary character in extraordinary circumstances' formula is, basically, a premise of the whole realism and modernism writing school in literature. I know in the case of BoS and similar romances the goal is self-fulfillment, but it bums me that a tried and tested solution that allows you to develop plot and have sound character logic is basically half a step away, but it gets ignoredY/n cannot be too outstanding so an average reader can relate to her